In Time

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1 She Who Scrubs on Hands and Knees the Floors

on a usual day
�sets her canvas sack between her legs
�and waits.
�But today her three-year-old
�tucks in the handle-straps,
�pats a flat seat
�and watches the long-tail yellow dog
�wind its kinked chain around the bus stop pole,
�chew fur
�off its spindly thigh.
�The green
�eye at the crosswalk blinks orange red
�orange orange red. Long brick
�walls sidle the street,
�tall oaks linger over locked
�see-through iron gates.
�Green. Orange.
�Red. Over the hill the #12,
�its wide glass cheeks
�wet with sweat.

2 After the Picnic

Parentheses around the last
�sigh of day—
�a voiceless pause
�a pause
�that spent its voice.
�The tired dog who trained its owner to throw for fetch
�curls into the back seat,
�rolled-up tablecloths wrap the bowls
�from rattling.
�The old engine mutters:
�Monday is 6 a.m., alarm, swipe of toothpaste,
�sip of juice, unbuttered toast.
�Behind, the creek
�on a bed of flat pebbles sleeps, and ants
�haul mighty crumbs.

3 Purple

His Aunt Bessie’s living room
�was heavy drapes
�tall flock-paper walls
�tongue-dry
�velvet cushions on
�sable-brown mahogany chairs
�a wide arabesque-
�bordered rug and strudels
�still warm.
�Some late afternoons
�daylight, loyal and patient,
�waited
�outside the massive front door.
�But most days
�he glimpsed the backside of dusk
�turning the corner,
�its arms swinging a racewalk
�knuckles sore
�from the useless spate
�of knocking.

Denise Bergman is the author of Seeing Annie Sullivan, poems based on the early life of Helen Keller’s teacher, which was translated into Braille and made into a Talking Book. She conceived and edited City River of Voices, an anthology of urban poetry, and was the author of Keyhole Poems, a sequence that combines the history of twelve specific urban places with the present. An excerpt of one poem from that series, “Red,” is permanently installed as public art in Cambridge, MA. Denise was poetry editor of Sojourner, a Women’s Forum, and hosted a cable TV show, Women in the Arts.